Being Beautiful and Strong

Women forced to relocate due to domestic violence take time to get to know the new area they have moved to.

To begin with, it is often the practical places, the urgent appointments – the housing office, the doctor’s surgery, the supermarket, the school….

And then they can begin to notice other places – parks, community spaces – and begin to recognise the street names, and decorations such as murals.

The participatory work in this project provided time and space for women to come together as groups in women’s refuges and a women’s centre and be creative. To take photographs and talk about the places they were visiting, the routes they were exploring.

Amy said she had walked past this mural many times before really noticing it. And then she began to spot the colourful creatures – the frogs, the owls – and then she noticed this hummingbird.

She loved the image and made a connection with a mobile she’d been given of a hummingbird – it’s a tiny bird – but beautiful and strong.

She shared her images with the group – and the group made a photo-mosaic image based on the hummingbird. Hundreds of images from all the women in the group were combined to make up the total picture.

It brings together all their images as a group – to make one image that celebrates them being “Beautiful and Strong”! The image was printed on canvas and put up in the women’s centre – to inspire them and all the women who would use the centre.

Opening the Door towards a new life

For women who have experienced domestic abuse, the front door is a powerful image of whether they feel safe or not. Living with an abusive partner, they feel unsafe to go into the place that they had called home. The danger is inside – not in the outside world – and home feels like a prison.

As Elizabeth said in this research, after she had left her violent husband:

“I’m in a different world – completely! I’m free. I feel like I’ve come out of prison in a sense; where I was completely dictated to – now I’m free! If I want to go down town – I go! If I want to stay out all day – I can. I’m not controlled – I’ve got the control; I’ve taken the control back!”

The front door became an image of independence – as Elizabeth said:

“I’ve got my own front door – so what if I can’t afford the curtains! [laughs]  I’m safe – you know – I’ve got my life back.”

Having left the violent relationship – a front door you feel safe to go through is a definition of a true home. As Julien Rosa said:

“You don’t need to be scared to go in – you just go in. You know, when I was back in [the relationship] I used to be scared to go in – I just stood there. So – that’s a big difference – to be happy, to be relaxed – it’s incredible.”       

The participatory creative work in this project provided time and space for women to communicate such experiences. Women in the groups drew ‘maps’ of their journeys, and took photographs to explore the twists and turns of their routes.

This short video shows some of their images and captions about opening the door towards a new life.  Their images show closed doors, gates, blocked views, difficult routes and strange angles that mirror the disorientation of abuse. But they also show a way forward and the hopefulness of a way through.

Women saw the support of others as part of opening the door towards a new life – and wanted to communicate that way forward to other women escaping abuse.

Journeyscape or Journeybreak?

Domestic violence isn’t in any way a game, but it is important to use all kinds of ways to prompt discussion and thinking about the issues – and a new card ‘game’ aims to do just that. “Serious games” use the interactions and norms of games – from playing cards or board games to online gaming – to engage and inform in ways that other methods cannot.

Journeyscape or Journeybreak? is a card game about women and children’s journeys to escape domestic abuse. The game draws on the British Academy-funded research project “Women on the Move: the Journeyscapes of Domestic Violence” using examples of the pressure points women experience and the help or hindrance from people, policies, services and luck.

Relocation is only one possible strategy for women but tens of thousands of women and children relocate in the UK due to domestic abuse, often in multi-stage journeys over time and distance, and accessing a range of services and support. The game presents a simplified journey of multiple stages and stopping points, with the players gathering the points they need for the next stage, whilst also experiencing the ‘chance’ elements that can allow them to leap forward or fall back on their journey.

The examples of ‘chance’ – positive and negative – are taken from women’s accounts shared during the research, and the cards showcase women’s images from participatory photography groupwork carried out with Solace Women’s Aid. The cards are therefore an expression of women’s creativity and insights, and the game aims to highlight how journeys away from violence can be either stalled and thwarted by ‘journeybreaks’ or ‘journeyscaped’ by law, policy, services and support.

Journeyscape or Journeybreak? will be launched at the Social Research Association conference on 15th June 2023 in London. It is part of the “Please Do Touch” gallery – emphasising the importance of in-person interaction with each other and with material objects: the value of actually being able to touch…

Journeyscape or Journeybreak? is a game for 2-4 players and could be used by groups of professionals involved in responding to domestic abuse, as well as individuals who want to understand more about women and children’s journeys.

If you would like a set of cards, please make a donation to Solace Women’s Aid, and then use the contact form of this website to send your postal address.

Steps to a new life

The journeys of women and children away from violence and abuse are both practical and emotional.

Journeys may include steps forward – and steps back… Times when you feel that you are really moving; and other times when everything feels stuck.

Like any journey, it can help to know that others have travelled that route before you – it can be reassuring to hear their words of encouragement: to draw on the strength of their experiences.

The participatory creative work in this project provided time and space for women to communicate their experiences of forced relocation and tentative resettlement. Women in the groups drew ‘maps’ of their journeys, and took photographs to explore the twists and turns of their routes.

This short video shows some of their images and captions about their steps to a new life. As women were still at risk from abusive partners, their photographs for public display could not be identifiable. So they looked down at their feet – their little steps forward – their careful steps: as Amy put it. They took photos of their children’s feet – thinking about their journeys together. Favour highlighted that she and her son had had to pack just two small knapsacks for their escape – leaving everything else behind.

But women also saw positives in their steps forward to safety and freedom. Sarah saw a better life ahead for her and her sons – full of love, wealth, and smiles all round – and saw in some cobbled paving the metaphor that there is a space for everyone in this world. Amy saw the traces she was leaving in her careful steps forward – like footprints in concrete – and that she had options and choices of where she and her son went. Kate looked up at the bright lights of Electric Avenue, and Daisy at the beautiful colours of a sunset over the sea.

They all saw steps forward to a new life – and wanted to communicate that to other women escaping abuse.

Images and captions by women on the move due to domestic abuse show their experiences and insights on ‘Steps to a new life’

Women’s creativity on the move

When women and their children are forced to relocate due to domestic abuse their lives and energy are taken over by all the practicalities and emotions involved.

It’s hard to make space or time for anything else.

And yet, women on the move still have their hopes and dreams, their hard-won knowledge, and their ideas and insights. And they want – and deserve – to be heard.

The participatory work in this project provided time and space for women to be creative – to communicate their experiences of forced relocation and tentative resettlement. Groups held in women’s refuges and a women’s centre were a temporary creative space – for women who would soon be on the move again.

And yet they could explore their creativity – even as they remained on the move: not knowing when they would have to relocate again.

Images and captions from their creativity are featured in the report from this research, and also as an example in a new article[1] on creative practice and mobilities. The article includes recognition of sensory experiences, material objects, landscape and place, as well as the importance of co-production and participation and the role of creativity in making issues and ideas public.

Creative practice goes beyond text and words, and enables ongoing communication of mobile lives, even when the individuals themselves may have moved on.


[1] Kaya Barry, Jen Southern, Tess Baxter, Suzy Blondin, Clare Booker, Janet Bowstead, Carly Butler, Rod Dillon, Nick Ferguson, Gudrun Filipska, Michael Hieslmair, Lucy Hunt, Aleksandra Ianchenko, Pia Johnson, Jondi Keane, Martin K. Koszolko, Clare Qualmann, Charlie Rumsby, Catarina Sales Oliveira, Max Schleser, Stephanie Sodero, Aryana Soliz, Louise Ann Wilson, Heidi Wood & Michael Zinganel (2022): An agenda for creative practice in the new mobilities paradigm, Mobilities, DOI: 10.1080/17450101.2022.2136996

Location – Location – Location

It matters where domestic abuse services are – of course it does.

The location of domestic abuse services – whether women’s refuges or non-accommodation services – affects whether and how women can access the services and receive the support they need and deserve.

Whilst non-accommodation support can include workers travelling to where women and children are – sometimes called “floating support” with the idea that it floats to where it is needed, rather than expecting individuals to travel to the support – accommodation is in a specific location.

So, where should such services be?

As part of developing an ETHICAL response to service provision for domestic violence against women, Location is a key element to consider (alongside Eligibility, Type, Holistic, Independence, Capacity, and Accessibility). The location of services must enable both staying put and journeys – including return journeys where appropriate. Location is about women’s fundamental eligibility as a survivor of abuse – violence against women as a human rights violation – to go and be wherever is best.

Technical Paper on a formula for the Location of services in England

A technical paper on developing a formula for the Location of domestic abuse services in England has just been published and is available here. It should be read alongside the technical paper on Type and Capacity of domestic abuse services.

The main conclusion is that there should be sufficient accommodation and non-accommodation provision across the country in all types of places, and with no location exclusion criteria or rationing. Despite this formula being based on increasingly historical data of expressed demand, provision of accommodation bedspaces as recorded by Women’s Aid Routes to Support[1] is still below the required minimum level indicated by this formula (and by the Council of Europe recommendation[2]). Overall, the actual count of 4,332 family bedspaces in England in 2022 is below both the minimum from this formula (5,369) and the minimum recommended by the Council of Europe (5,656). And the shortage is more acute in some regions compared to others.

The graph shows that only the West Midlands region currently has higher provision than the minimum of the formula from this research, and that whilst provision in London meets the population-based Council of Europe recommendation, it does not meet the higher minimum calculated by this research by taking into account the distinctiveness of London in terms of length of stay in services.

The initial stage for a policy towards an ETHICAL service provision would be to fund the different types of service up to the minimum capacity. Thinking and planning regionally would be more functional than the current narrow focus on local authorities. After identifying the shortfall per region, actual provision should be in all types of places (all types of local authorities) – but strictly hosted by them and not in any way limited to women and children from that local authority. Planning and funding must be at the scale of women and children’s domestic violence help-seeking and journeys: scale meaning both providing sufficient capacity and provision at the appropriate geographical scale.


[1] Women’s Aid. 2022. Domestic Abuse Provision: Routes to Support. Bristol: Women’s Aid Federation of England. https://www.womensaid.org.uk/domestic-abuse-provision-data-routes-to-support/.

[2] Council of Europe. 2011. Explanatory Report to the Council of Europe Convention on Preventing and Combating Violence against Women and Domestic Violence. Strasbourg: Council of Europe. https://rm.coe.int/1680a48903.

Give the Joy Back

Women’s experiences and voices are vital in this research – their understandings and insights into their journeys. 

Women who took part in the participatory photography groupwork talked about how they noticed text and images as they travelled around their new area. They had all been forced to relocate due to domestic abuse, and were now in an area they didn’t know before. They had practical things to sort out, but were also starting to explore where they were.

Sometimes they spotted a place – a park, a shop – or an image – a poster, an artwork – that seemed to call out to them. Places or images that made them feel a little more welcome – a little more like they could begin to feel at home.

Week by week in the groupwork, women used their cameras as they made day-to-day journeys, or actually went out specially to look for images to share with the group.

As well as their individual images and captions about their experiences, women shared their insights and messages – including in posters from the groupwork.

Give the Joy Back
© Amy/Cordelia/Daisy/Marilyn/Solace Women’s Aid/Janet Bowstead

In this poster, women took a slogan from a poster as a message about how they were beginning to feel positive in themselves, but also that they could pass on their positivity to others. One of the ways of doing this was by making the posters that went on display in the women’s refuges and women’s centre – and are here on the project website. Women included images of light, of blue skies, of trees that refused to be hemmed in, and of the small steps they were taking forward in their and their children’s lives.

Developing an ETHICAL response to service provision for domestic violence against women

This research on women’s domestic violence journeys aims to underpin an ETHICAL response, highlighting seven key elements of an effective service provision: Eligibility, Type, Holistic, Independence, Capacity, Accessibility, Location.

  • Eligibility
    • rights and needs-based – a service infrastructure designed around women and children rather than forcing women and children to navigate a fragmented and ill-suited infrastructure.
    • no location or risk-assessed criteria or rationing.
    • not excluding women and children due to legal status – such as migration status, criminal convictions or debt – with any proceedings being put on hold until support and security have been provided.
  • Type
    • A range of types of services for a range of needs, including:
      • Women’s Refuge accommodation + support
      • Other accommodation-based support
      • Non-accommodation services – one-to-one support
    • Specialisms – around cultural, health needs, higher support needs.
    • Note that core service needs not addressed in this formula include: Peer support, children’s support, advocacy through complex and hostile systems.
  • Holistic
    • Services as only a part of wider co-ordinated and multi-agency responses so that women and children can journey through at their pace and need – involving and not involving the services and support they choose.
    • Providing support on abuse issues in the context of other issues women and children may be experiencing over time.
  • Independence
    • Recognising the pervasive nature of coercive control within abusive relationships, the interactions and relationships of services with women and children must not replicate coercion, control, or limitations on freedom or autonomy.
    • Service provision must operate with independence from statutory authorities (even if receiving funds from statutory authorities), including not sharing personal information inappropriately.
  • Capacity
    • Sufficient for the level of expressed need – at the point of need.
    • Including an expected level of vacancy/voids/free capacity, so that service provision does not exploit or exhaust the workers or ration the availability of support.
    • Flexibility – able to respond when needed – recognising that women have to seek help when they can and may be unable to wait on a ‘waiting list’.
    • Evidence-based – not reducing, developing or changing services unless there is clear evidence of needs.
  • Accessibility
    • Services must be constantly vigilant about barriers to accessibility – where women and children who deserve and would benefit from a service are unable to access it.
    • This may be due to issues of Eligibility, Capacity, or Location; but may additionally be about addressing aspects of specialist support, legal status, and the attitudes, beliefs and behaviours of service providers.
  • Location
    • Women experience domestic abuse everywhere, so the location of services must enable both staying put and journeys – including return journeys where appropriate.
    • All types of places – so that you can go as far as you need/ stay as near as you can.
    • The location of help-seeking should not necessarily cement the location of longer-term resettlement.
    • About fundamental eligibility as a survivor of abuse – violence against women as a human rights violation – to go and be wherever is best.

Technical Paper on a formula for the Type and Capacity of services in England

The elements of service provision characterised as Eligibility, Holistic, Independence, Accessibility are based on principles, and are evidence-based from past learning, research literature, human rights law, and experience of decades of domestic abuse service provision. These are discussed in other blog posts, briefing papers and publications available on this website.

A technical paper on developing a formula for the Type and Capacity of domestic abuse services in England has just been published and is available here. The minimum required capacity of three types of services is estimated as:

Accommodation – A minimum of 5,369 family bedspaces

  • 4,497 should be ‘Women’s Refuge’ spaces
  • 872 ‘Other’ types of support accommodation

Non-accommodation – A minimum of 1,084 fte (full-time-equivalent) community-based specialist support workers (separate roles from ‘advice’; or risk-based ‘advocacy’) rising to a minimum of 1,543 fte workers to be able to support women with additional needs beyond the domestic abuse

Love is the only language I speak fluently

Women’s experiences and voices are vital in this research – their understandings and insights into their journeys. 

As part of the project, participatory photography was carried out with groups of women in three areas of London: two groups in women’s refuges where women would soon be on the move again, and one at a women’s centre with women who were beginning to resettle. 

As well as individual projects, producing images and captions about their experiences, women shared their insights and messages.

Love is the only language I speak fluently
Love is the only language I speak fluently © Amy/Cordelia/Daisy/Marilyn/Qiana/Solace Women’s Aid/Janet Bowstead

In this poster, women took the slogan from graffiti on the London Southbank as a metaphor for their own beliefs about love, care and kindness – received and given. In making a poster, they wanted to pass on the love and positivity to women they imagined seeing the poster in the future. Blending together their individual images into a collage, they celebrated their shared experiences, and how being in a group reduced their isolation.

Women on the Move – report published

On Human Rights Day – 10th December 2021 – the report from this research was published.

Featuring more than 250 images by women who have been forced to relocate due to domestic violence, the book and maps provide an overview of the project, highlighting key research findings and new conceptualisations and knowledge from the research.

The publication presents the key messages – and points to further reading – on aspects of People, Places, Patterns and Processes of women and children on the move due to domestic violence and abuse.

To order a copy, please send postal address to info(Replace this parenthesis with the @ sign)womensjourneyscapes.net or send details via the contact form

Women on the Move – Vol. 1: Journeyscapes of Domestic Violence (book). ISBN: 978-1-7399686-0-1

Women on the Move: Journeyscapes of Domestic Violence. From Everywhere to Everywhere (map). ISBN: 978-1-7399686-1-8

Women on the Move: Journeyscapes of Domestic Violence. One Year of Spatial Churn (map). ISBN: 978-1-7399686-2-5

See the flier for further information.